CBBC and Family Channel greenlight second season of spooky anthology series Season one coming to Netflix members worldwide HALIFAX, Aug. 9, 2018 /CNW/ - DHX Media (or the "Company") (TSX: DHX, NASDAQ: ...

HALIFAX, Sept. 16, 2013 /CNW/ – DHX Media Ltd. (TSX: DHX), a leading independent creator, producer, distributor and licensor of children’s entertainment content, is pleased to announce its acquisition ...

The Canadian animation scene became more consolidated today with the news that Halifax-based DHX Media will buy Vancouver-based animation studio Nerd Corps Entertainment for a cash-and-stock deal ...

Canadian kids TV producer DHX Media has acquired Los Angeles-based animation studio Wildbrain Entertainment for $8 million in cash. By Etan Vlessing, The Associated Press TORONTO — Canadian kids TV ...

Toronto, Canada-based Temple Street Productions and DHX Television have begun production on a new music-based series called The Music Room from Frank van Keeken, creator of reality tween drama The ...

Canadian firm DHX Media has acquired Ragdoll Worldwide, owner of the Teletubbies and In The Night Garden, for £17.4m. The stockmarket-listed DHX, which owns brands including Inspector Gadget, is ...

Kids and family entertainment company DHX Media is rebranding its content-creation arm as DHX Studios, which will develop and produce quality animated and live-action kids. DHX is also building a ...

DHX Media Ltd. will reorganize its company into two subsidiaries, reflecting differing priorities and regulatory constraints on its business. The announcement came on Tuesday as the Halifax-based ...

DHX Media has demonstrated its commitment to original animated content with two high-profile appointments. The kids’ content titan, which is based in Halifax, Canada, has promoted Stephanie Betts to ...

Entertainment One has agreed to acquire Canadian producer and distributor DHX Media, which owns Decode Entertainment, Halifax Films and Studio B Productions, for a cool US$63.2 million. The deal is ...

DHX Media Ltd. is taking itself off the auction block and shifting its strategy to adapt to massive changes in kids' viewing habits, acknowledging it was too slow to respond to the rise of streaming ...